About Me

The architecture I care most about is the kind that goes unnoticed. A well resolved space doesn't announce itself. It just works, and you sense that without knowing why. That's what draws me to this work.

Every project has its own set of constraints, and I've found that the best results come from working with them rather than around them. A lot of that work happens in the small decisions: the height of a sill, the way light filters into a room, whether a hallway feels like a threshold or just a corridor. No single one makes or breaks a project, but together they're what determine whether someone walks into a room and just feels comfortable — without ever stopping to think about why.

In addition to my practice, I've taught foundational studio, design, and shop courses, working with students on how to think through a project and how to build with their hands. I also take on select fabrication projects, primarily in wood and steel. What draws me to both is the iterative process: you design something, you build it, you evaluate how it actually performs, and you take what you learned back into the next version. That back and forth is how I teach and how I learn, and it shapes the way I approach my practice.